Yap Xiong: The Pacer (Fiction)
1.
Two
weeks into the new semester, Faatihah blows her ankle clearing a steeple.
The
last thing she sees before landing is the black-and-white checkered barricade
like her coach’s finger pointing to some distant point. She’s still in good
enough shape to jog back to the stands. But her coach doesn’t say much. He just
shakes his head, pretends to dictate the workouts to her teammates. He leaves
even before the others finish their rounds.
Then
Pamela, her 1500m pacer and captain, takes her aside. She talks low, sounds
like she’s delivering a sermon. Faatihah knows what’s coming, but it still
hurts when Pamela says it anyway:
“For
the sake of your season, I don’t want to see you training. Take a break. Please.”
2.
Barred
from the track, Faatihah goes to the hills. In her state, she takes just over
two hours to follow the twisted gravel road across the summit and back down
again. She tries not to think of the other girls doing rounds, calculating
their 400s. Instead, she tries to imagine the hills. No white lines on red, no
boundaries, just a path she prefers to do alone.
She
could ask for company. But she doesn’t. Because sometimes she has to wait for
the other girls (or have them wait for her), and she doesn’t want to waste
anyone’s time. But now, she just doesn’t want company.
A
forest begins at a pond near the road until it completely overtakes the cliff
side, like a beard of green on the dark slopes. The road climbs steadily, easy
enough for Faatihah not to work up a sweat for up to an hour while running. Later
on, the road turns from stone to fine, steel-coloured gravel after the bridge
over a stream, where Faatihah always takes a break before attempting the
tougher slopes further on. She settles, controls her breathing, and does her
stretches, relaxing her uncooperative ankle.
So
she doesn’t notice when a pacer joins her. All she knows is she hears another
person’s footsteps on the bridge as she sweeps across it.
It
takes a while before she understands he is trying to match her speed. So she slows,
and he pulls up beside her. He’s shorter, pale, a cloud of dark hair across his
forehead, a scratch at the base of his chin. He wears a pair of battered Asics
and a dri-fit shirt. It looks like he bashed through bushes just to reach the
trail. Faatihah nods to him; he returns it.
He
equals her stride when the slope steepens. At the longest rise, they are so
close his arm strafes hers, and cold wet sweat lubricates the point of contact.
He never strays more than a step from her side, even though she holds back for
the sake of her ankle. She likes his patience. She likes this competition, the
hard breathing, the scent of sweat like perfume.
When
he looks at her, she hopes her hair and the flush of exertion will camouflage
the heat now rising to her cheeks.
The
gravel road evens out. There is no summit, but a ridge where there no forest
grows, the bald head of the hills. Faatihah drags heavily on the air as she
loops around the empty hilltop and its row of downward-pointing sets of binoculars.
The boy beside her follows, not missing a step. She pretends to slow, blinking
away the incision-like strain carving up her ankle. The sound of her panting
echoes in the still air.
She
compliments him on his running, but instantly regrets it. She thinks it’s this kind
of over-confident, talking-down that makes both the girls and guys on her team uncomfortable.
But
the boy gives her a small smile. And she’s relieved. She likes this: the
silence, the communicating without breaking pace. So they do the slopes downhill
together. He follows her back, but breaks off near the bridge. When Faatihah yells
a goodbye down the trail, she sees him wave.
3.
For
the next month and the month after, he’s always there, taking her up by the
bridge, following her on the most grueling up-slopes, before parting where they
first met. The discomfort in ankle, a sore emblem of her mistakes on the track,
fades into the lush trees and sweet misty air.
Several
months pass before another of the girls decides to join Faatihah. Pamela doesn’t
approve of her teammate’s secret training, but says she won’t tell Coach.
Pamela has enough stamina outrun her, but she decides to go easy on the slopes.
Faatihah and her pacer have finished two loops at the ridge when she arrives.
“Ugh.”
Pamela has her hands on her hips. Faatihah notices that her posture is wrong,
her breathing as fast as a car without its brakes on. She thinks Pamela’s been
doing too much track work.
She
brings the boy to meet Pamela. She introduces him. He nods, and goes off to
prepare for the downward journey.
“Hmm.
He joins you only when you run hills?” Pamela asks.
It’s
not so much a question as a statement. Faatihah sees her eye him, her face
shadowed by the lack of light.
“He
looks fit,” she says again, and when they finally start downhill, she lags
behind, adds: “You two go first.”
But
he has left when Pamela finally reaches the bridge. On the way back, Pamela
doesn’t look at her. Faatihah thinks she’s just tired. Or maybe she’s trying to
see if she’s recovered.
“Maybe
you should let the team know about him,” she suggests.
For
one session when Coach isn’t around, the team relocates their trainings to the
hills. Faatihah doesn’t like it: it’s too crowded, the trails are too small, and
some people talk too much when they run. But the boy, his pale skin wavy with
sweat, is always waiting by the bridge.
Her
teammates all say hello. But he just nods. Then he gently brushes against her
arm, and the two of them are up the slopes, strides perfectly identical. She
prefers this. Faatihah would rather lead at a crazy pace with him then fall
behind with the pack.
4.
Time
passes. Her team returns to the track. Faatihah needs to sit for papers. But her
ankle is always at the back of her mind. Even though she can’t feel it anymore
she knows it’s there, its shivering muscle waiting to be tested. Still, she does
the hills twice a week. She needs to feel the boy’s presence as she pushes
herself, pushes the thought of pain into oblivion.
“Please
pace me,” she says. He obliges without protest.
She
watches race season come and go. Pamela runs her 1500 races and places twice in
the top three. Faatihah doesn’t think about the placings, medals or races. She
just thinks of the hills she needs to do after she’s finished her homework
readings. She thinks of the boy who accompanies her nodding sometimes when she
complains about her inability to understand her work, about how studies are
screwing with her fitness.
5.
After
her papers, Faatihah decides to step up the pace. She meets the boy and, in the
rush of her good mood, completes the slopes in a record time. She feels great,
so they do five loops of the ridge. The boy doesn’t say anything. He just nods
when she announces the changes to their training plan.
When
they reach the bridge, Faatihah slows down. Before the boy can disappear into
the trails near the bridge, she says to him: “Follow me down.”
For
the first time since they’ve met, he shakes his head. He points to where he’s
going. But Faatihah latches onto his bicep. It’s cold and sweaty and slippery, but
she wants him to follow her to the pond near the road.
“Race
me to the road!” She says. “Come on!”
She
breaks into a sprint. The boy’s weight slows her, but she pulls him free of his
reluctance. Once across the bridge, her grip lessens, and he runs beside her.
But now it’s his breathing that echoes around the trail, sharp and noisy like a
nail scratching a window.
She
dashes downhill so fast the trees are like a blur. Branches grab at her
compression tights, but she evades them. The boy drops back, his throaty
panting diminishing, the only sign he’s getting further away. But she
encourages him on, clapping.
It’s
evening when she reaches the first set of traffic lights at the base of the
hill. She feels her muscles working under her orders, her ankle perfectly
landing. She’s almost sprinting towards the triple-eyed face of the traffic
lights. Then the boy overtakes her in a final burst. This is the last vision
she has of him: his back, his face turned sideways in a halo of artificial
light.
When
she breaks the cover of the trees, she’s alone. There’s no boy sweating and
panting. Just the street lights glowing like naked limbs. Just herself,
wondering if she’s crazy, wondering if she’s even alive.
She
is. Because pain threads its way back into her ankle, its needle point so sharp
she has to limp home.
6.
Faatihah
doesn’t go running for a while. She doesn’t return to the hills. Instead, she gets
a job with her professor. She spends her summer holidays photocopying chunks of
text from reference books, something that needs minimal movement. In the
library, she stabs at passages with neon highlighter, only to forget later why
she marked them out. She leaves her shoes at home, so she won’t be tempted to
run.
She
is in the library when Pamela sits opposite her. So many days have passed since
they’ve last talked.
“I
heard your ankle is still giving you problems,” Pamela says. “You want I can
recommend you a physio.”
Faatihah
doesn’t look up.
“Sometimes
you just need some rest, to let your body recover.”
“But
you still let me kill myself on those hills,” Faatihah says, without looking
up. “With that boy –”
“Yeah.”
“So who – what was he then?” Faatihah turns to
Pamela. “You saw him right? You spoke – everyone spoke –”
“He
was all yours.”
“Then
you knew something yeah? Eh you – you knew something and you didn’t tell me.”
“We
all knew ah. Or at least the seniors knew. Some saw him years ago.” She clears
her throat. “I’m no genius lah. But these things represent things – things that
we fear or want. Like how you want to do well so badly at a run that you screw
up.”
Faatihah
tries to understand what Pamela’s saying. As she thinks, her hand flirts with
her ankle, feeling the rush of blood push through the soft flesh.
“So
why didn’t you stop me?”
Pamela
sighs, closes her eyes. “You were happy ah. I’ve never seen you so happy
running. That’s rare.”
“I’ll be happy when I’m back.”
“Really?”
In
the quiet library, she can hear her teammate’s soft breathing, the rise and
fall of her shoulders. After years of running beside her, Faatihah sits facing
Pamela. She’s not sure if they’re here as teammates or as competitors, or
whatever. Faatihah wants to say something, but Pamela doesn’t look her in the
eye.
Yap Xiong is a corporate communications executive at a
university in Singapore. He is a volunteer
with a local project called the Budding Writers League that helps student
writers develop their talent.